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Jakie and the Beadstalk

this is about family and its ups and downs, living, and everything about life from a working mom's perspective.

Thursday, July 9, 2026

Filing While Surviving: Taxumo’s 2026 Report Shows the Financial Reality of Filipino Taxpayers


 MANILA, PHILIPPINES  — Before sunrise in Marikina, Bianca, a 33-year-old virtual assistant, is already awake, working for multiple clients abroad.

To her clients, she is reliable. At home, she is the eldest daughter trying to keep the household steady as prices rise and uncertainty becomes part of daily life.

Bianca keeps her work organized and files her taxes. She does this because every filing helps prove that her work is real and her income is recorded, belonging in the formal economy.

But that proof does not make life secure.

Bianca is not poor because she lacks opportunities. She’s skilled and hardworking however she’s still living close to the edge. One sudden expense can quickly pull her financially backward making her poor.

Bianca Reyes is a fictional character –– a composite inspired by data patterns observed in Taxumo’s 2026 State of Online Taxation Report.

But her story reflects the reality of many Filipino online workers and independent earners who are filing taxes, joining the formal economy, and trying to build stability in an increasingly uncertain economy.

Taxumo’s report offers a closer look at Filipino taxpayers using online filing through the Taxumo platform. The findings point to one central story: online tax filing is helping more taxpayers formalize their income, but many are doing so while still facing financial pressure.

Taxumo’s filer base includes freelancers, self-employed professionals, online sellers, consultants, creatives, micro-entrepreneurs, small businesses, and taxpayers from traditional service-based industries.

For many of them, tax filing helps them create a record of income, strengthen credibility, support future financial applications, and make their work more visible in the formal economy. At the same time, the report shows that formalizing income does not automatically mean financial stability.

A closer look at financially exposed taxpayers

One of the report’s main themes is financial exposure. Taxumo’s 2026 data suggests that some filers are using online tax tools while still working toward financial stability. The report notes that a significant share of Taxumo filers fall under the Poor and Lower Middle Income brackets.

The data does not represent all Filipino taxpayers. However, it shows what is visible within Taxumo’s own filer base: many people use online filing not because they are already financially stable, but because they are trying to build a more secure financial future. Filing taxes helps create proof of income, establish a financial record, and open access to opportunities such as loans, business growth, and other financial services.

Like Bianca, they file taxes to build proof of income, even while dealing with unstable earnings, rising costs, and daily work pressure.

Key Findings from the 2026 Report

Several findings from Taxumo’s 2026 report show how Filipino taxpayers are using online filing while navigating different levels of financial stability.

Online tax payments continued to grow.
Taxumo recorded a 43% compound growth rate in online tax payments, showing that more users are turning to digital tools to make tax compliance easier.

More Gen Z taxpayers entered the system.
Gen Z filers increased by 19% from 2025 to 2026. However, Millennials remained the largest filer group on Taxumo.

Men reported faster income growth.
Male filers declared 12.45% higher annual income year-on-year, while female filers reported 4.79% growth. This shows that filing participation and income growth do not always move at the same pace.

More filers did not always mean higher income.
IT & Software Development had the largest share of Taxumo filers in 2026 (13.81%) and higher incomes. But other large groups, like Virtual Assistant & Admin Services, had many filers with lower income contributions.This highlights a gap: more filers don’t always mean higher earnings.

Online filing is not just for digital workers.
Traditional and service-based industries such as Agriculture & Farming, Veterinary & Pet Services, Wellness, Hardware & Home Improvement, and Security & Investigation also showed strong median tax remittance levels.

What Connects the Findings

The findings show one clear story: online tax filing is helping more taxpayers formalize their work, but not all of them are financially stable.

Some are digital workers. Some run traditional or service-based businesses. Some come from growing industries, while others belong to large filer groups where income remains modest.

What connects them is the need for an easier way to comply.

For many Taxumo filers, filing taxes builds income credibility. These can help when applying for loans, working with clients, or growing a business.

But the report also shows that compliance happens alongside real financial pressure: irregular income, rising costs, family responsibilities, and limited access to accounting support.

Online Filing Is Reaching More Than Online Workers

Online filing is also being used by people from traditional and service-based industries, including agriculture, wellness, pet services, hardware, security, consulting, and tech.

This matters because tax compliance applies to everyone, not just freelancers or digital workers. Regardless of how they earn, people need a simpler way to file and pay taxes.

Tax Compliance as a Step Toward Inclusion

Filing taxes is not just about meeting a requirement. For many taxpayers, it can also help build proof that their income is real, recorded, and visible.

That proof can matter when applying for loans, working with clients, organizing business records, or growing a small business.

The bigger question is not only how to get more people to file. It is also how to make filing feel useful, less intimidating, and more connected to real opportunities.

This is where digital tools, including platforms like Taxumo, can play a role by helping make workflows more efficient and accessible for taxpayers, supporting them as they manage their responsibilities and grow their businesses.

About the 2026 State of Online Taxation Report

Taxumo’s 2026 State of Online Taxation Report analyzes online taxpayer behavior, declared income, tax remittance, industry activity, location, gender, and generational trends based on Taxumo platform data.

Socioeconomic profiles in the report are approximated from declared annual income on Taxumo and mapped directionally to PSA/PIDS classifications. The findings should be read as insights from a segment of the Filipino taxpayer population.

Read the full “State of Online Taxation 2026” report at: https://www.taxumo.com/soot/2026-report/

 
About Taxumo
Taxumo is an online tax compliance platform that helps Filipino freelancers, self-employed professionals, small business owners, and corporations manage tax filing and payments more easily. Through digital tools and guided workflows, Taxumo aims to make tax compliance simpler, more accessible, and less intimidating for Filipino taxpayers.

Wednesday, July 8, 2026

TOKYO LIGHTS 2026 Concludes Record-Breaking Approx. 80,000 Visitors Enthralled Over Nine Dazzling Days as Tokyo’s Premier Festival of Light Came to a Close

The Tokyo International Projection Mapping Award Executive Committee is pleased to announce the successful conclusion of TOKYO LIGHTS 2026, a festival of light illuminating Tokyo’s nights, held over nine days from Saturday, May 23 to Sunday, May 31, 2026, at the Tokyo Metropolitan Government Building No.1, Citizens’ Plaza, and across the Nishi-Shinjuku area. During the event period, approximately 80,000 visitors from Japan and abroad attended, showcasing to the world the potential of Tokyo as a new nighttime tourism destination.

On Saturday, May 30, the awards ceremony for the 1minute Projection Mapping Competition, one of the world’s largest international projection mapping competitions, was also held, where the top prize-winning work among entries gathered from around the world was announced.

In addition, at the Grand Finale held on the final day, Sunday, May 31, official ambassador actor, Tao Tsuchiya appeared on stage alongside special supporters Honoka Tsuchiya and Shimba Tsuchiya. Their talk session, reflecting on the appeal of TOKYO LIGHTS 2026 and the excitement generated throughout the event period, further energized the audience.

At the 1minute Projection Mapping Competition, which transformed the vast facade of the Tokyo Metropolitan Government Building into the world’s ultimate canvas, the awards ceremony was held on Saturday, May 30, and the GRAND PRIZE (Tokyo Governor PRIZE) was selected from a record-breaking 412 entries submitted from 65 countries and regions around the world.

Symbolizing this year’s theme, “Dialogue” the works presented brought together moving image, sound, and the architectural beauty of the Tokyo Metropolitan Government Building into a powerful artistic experience that captivated audiences.

Appearing at the awards ceremony, Tokyo Governor Yuriko Koike commented:

“This was the first time the Tokyo Metropolitan Government Building itself served as the screen for this international projection mapping competition, and a remarkable lineup of high-caliber works from around the world gathered here in Tokyo. I hope this event will give rise to creators who will go on to spread their wings from Tokyo to the world.”

Governor Koike also noted that:

“Tokyo ranked second in the Global Power City Index, and one of the reasons cited was the richness of its nightlife tourism. The projection mapping presented nightly on the Tokyo Metropolitan Government Building has also been recognized by Guinness World Records as the world’s largest permanent architectural projection mapping display, and has already welcomed approximately 1.4 million visitors.”

She concluded by expressing her appreciation to the participating creators and visitors alike and offered words of encouragement for their continued success.

Signal Bleed (Brazil), winner of the GRAND PRIZE (Tokyo Governor PRIZE), said in his acceptance speech:

“It is a tremendous honor to be here among such wonderful artists. I would also like to thank my partners in Brazil and all the people who have worked alongside me here. I am overwhelmed in a way that words cannot fully express. Thank you very much.

Award Results

GRAND PRIZE (Tokyo Governor PRIZE): Touch Talk / Signal Bleed (Brazil)

SECOND PRIZE: Aporia / VPM (Spain)

THIRD PRIZE: The Beauty of Collision / Bigcool (Thailand)

Tokyo Tokyo PRIZE: 1Pulse / Anionavision (Romania)

Audience PRIZE: Infinite Dialogue / Taro Narahara (Japan)

At the Grand Finale held on the final day, Sunday, May 31, official ambassador, actor, Tao Tsuchiya was joined on stage by her sister Honoka Tsuchiya and brother Shimba Tsuchiya as special supporters. The three, all long-time admirers of TOKYO LIGHTS, appeared together publicly in a special collaboration unique to this event.

The talk stage featured the Tsuchiya siblings, together with Michiyuki Ishita and Kenji Kohashi, producers of TOKYO LIGHTS 2026. They each spoke from their own perspectives about the appeal of the event and the impact of art created through light and moving image, creating a warm and lively atmosphere at the venue.

Talk Stage Highlights

Tao Tsuchiya reflected:

“It was my brother Shimba who first recommended that I go, telling me that I should make time for it no matter how busy I was. That was how I first came to know TOKYO LIGHTS, when it was held at Meijijingu Gaien. Projection mapping made me feel as though I myself were spinning and leaping inside it, allowing me to experience something beyond myself.”

Speaking about Light Art Park, she added:

“My whole family was deeply moved by how the artworks blended into everyday life—something you could visit on the way home from the office or while out for a walk.”

She also commented on GAIA:

“My ‘small family members’ ran around beneath it, while the adults lay back and looked up at it. It felt like a work that gave us the opportunity to reflect once again on the Earth we live on now.”

Honoka Tsuchiya commented on the projection mapping staged in the urban setting of the Tokyo Metropolitan Government Building:

“Within the seemingly inorganic cityscape, I felt the warmth of nature and the vitality of life.”

She said she was deeply impressed by the messages embedded in each work. Regarding Light Art Park, she named Embrace as her favorite, recalling:

“It was a special experience where the colors changed as people held hands, allowing us to feel a sense of connection with those around us.”

Shimba Tsuchiya remarked:

“When I first experienced TOKYO LIGHTS, I was so moved that I told my family all about it, so being able to appear here together as a family today feels both surreal and very joyful.”

Speaking about the projection mapping, he said:

“It was so powerful and immersive that it felt as if the Tokyo Metropolitan Government Building itself might come crashing down.”

He also shared his thoughts on the Light Art Park work Fractal Forest:

“Seeing my own image projected and becoming part of the artwork, and then watching visitors begin to respond to one another through their own poses, made me feel the potential of light art to communicate beyond words.”

The two producers, Mr. Ishita and Mr. Kohashi, also spoke about the ideas behind this year’s TOKYO LIGHTS concept, “Visible TOKYO” as well as the appeal of art that can be enjoyed in public space—an idea with which Tao, Honoka, and Shimba all strongly resonated.

Speakers

Tao Tsuchiya (Official Ambassador)

Honoka Tsuchiya (Special Supporter)

Shimba Tsuchiya (Special Supporter)

Michiyuki Ishita (Executive Producer, 1minute Projection Mapping Competition)

Kenji Kohashi (Artistic Director, Light Art Park)

Moderator: Nahomi Inoue

Light Art Park: 12 Works Transform a City Park into a Museum of Light at Night

At Shinjuku Chuo Park, Light Art Park unfolded under the artistic direction of Kenji Kohashi, featuring 12 light art installations throughout the park.

Among them, Yoichi Ochiai’s new work, the four-meter pillar of light titled Liquid Universe: Sōbō Chūfu — An Unclassifiable Entomologia of the Luminous Swarm, drew many visitors eager to capture its dreamlike landscape, where the lights of nature and the city intersect, in photographs.

Also drawing significant attention on social media was GAIA by Luke Jerram, making its Japan debut as a monumental Earth installation appearing to float above the lawn area.

In addition, INTER-WORLD/Cocooner: Apparent motion of celestial bodies by Akihito Okunaka, an experiential artwork that visitors could actually step inside, attracted interest from a broad audience ranging from children to adults, leaving many with a memorable and immersive experience.

A Highly Successful Close Through the Final Day

Held for the first time in the Nishi-Shinjuku area, TOKYO LIGHTS 2026 also generated major buzz on social media. Throughout the event period, large numbers of visitors—including families and inbound travelers—visited Shinjuku Chuo Park, home to Light Art Park, where they could sit on the lawn or benches to appreciate the works, as well as see, touch, and experience them in their own ways.

The venue was filled with smiles and lively energy until the very end, becoming a space where people could discover new dimensions of urban appeal through light and art.

Event Overview: TOKYO LIGHTS 2026 – A Festival of Light Illuminating Tokyo's Nights

Event Title: TOKYO LIGHTS 2026

Dates: Saturday, May 23 – Sunday, May 31, 2026

1minute Projection Mapping Competition

Venue: Tokyo Metropolitan Government Building No.1, Tokyo Citizens’ Plaza

Screenings: Saturday, May 23 and Sunday, May 24, 2026 / 7:20 p.m.–8:10 p.m. and 8:50 p.m.–9:40 p.m.Screenings / Awards Ceremony: Saturday, May 30, 2026 / 7:15 p.m.–8:50 p.m.Grand Finale (Award-Winning Works Screening & Stage Program): Sunday, May 31, 2026 / 7:20 p.m.–8:10 p.m.

Light Art Park

Venue: Shinjuku Chuo Park

Saturday, May 23 – Sunday, May 31, 2026 / Daily from 7:00 p.m.–10:00 p.m.

Organizer: Tokyo International Projection Mapping Award Executive Committee

Co-host: Tokyo Metropolitan Government Supported by: Shinjuku City

Official Website: https://tokyolights.jp

Social Media: 

X (formerly Twitter): https://x.com/tokyolights_jp

Instagram: https://www.instagram.com/tokyolights_jp/

Facebook: https://www.facebook.com/tokyolights.jp

YouTube: https://www.youtube.com/@tokyolightsjp

Inquiries Regarding Event Details

TOKYO LIGHTS 2026 Secretariat

E-mail: tokyolights_2026@jtbcom.co.jp

(Weekdays only, 10:00 a.m. – 5:00 p.m., excluding weekends and public holidays)

 

Hiatus

 After a looong hiatus, I am back!

Keeping my fingers crossed that I will be able to maintain writing about  life, laws, laughter, and whatever it is out there.

Thanks for reading!